The She-Wolf of Kanta: Thomas Farrell’s Mill by Marlena Frank

Thomas Farrell’s Mill

When Thomas Farrell inherited his father’s mill, there was only a single grinder, and it was human powered. The hard physical labor meant a high turnover rate, and the mill was anything but profitable.

After the invention of Liquid Lead, and the harnessing of werewolves to do the hard labor, Thomas not only gained a profit on his mill, he expanded it. He added grinder after grinder, in a haphazard fashion, gleefully improving on the equipment and finding ways to streamline his workforce.

Only something happened shortly after he built the sixth grinder. Some say Thomas had a mental breakdown after witnessing one of his human workers be mauled. Others said he fell from the scaffolding that crisscrossed the grinders. Regardless, shortly after the grinder was finished, all talks of expansion abruptly stopped.

The Mill is now a well-known feature of Kanta, with its tall smokestacks and regular influx of trappers for supplies and trade. Behind it’s castle-like walls and guarded entrances, grinders churn all day and all night.

 

The She-Wolf of Kanta: The City of Kanta by Marlena Frank

The History of Kanta

Kanta used to be a small city with big hopes and dreams. The people pushed back the wilderness and claimed the land for their own, creating a haven amid the old forest.

Then the werewolves came. They surged each night, and diminished the population in droves, adding survivors unwillingly to their numbers. The streets were stained with blood. Cries could be heard all through the night. Finally, only three buildings remained: the jailhouse, the pub, and the mill. When the city was on the brink of destruction, a madman had a crazy idea.

Thomas Farrell found a way to harness the werewolves’ power. With a concoction he called Liquid Lead, he helped the city of Kanta truly fight back. More than that, he turned werewolf trapping into a profit.

The city is now a destination for survivors, but also attracts scavengers and thieves. The desperate suffer in Kanta and the naïve often meet grisly ends. The werewolves are a blight, but the city of Kanta is truly diseased.

Military Wife Pens Young Adult Fantasy Debut Surrounding the God of War and His Sacrificial Bride

FOR IMMEDIATE RELEASE

LOUISVILLE, KY (July 11, 2017) • What would it feel like to be sacrificed to gods you didn’t believe in? Amber R. Duell may not know what lies beyond death, but she does explore a vivid mythological world engulfed in a modern war in her newly released young adult fantasy novel, Fragile Chaos.

Amber points to the story of a 500-year-old Incan girl found mummified on a volcano as inspiration for her story. “Did she think she would ascend to some special place?” Amber mused and gave birth to the story of Cassia Stavros and Theodoric trapped in a delicate balance between feuding immortals.

Fragile Chaos is a relentless tale of revenge, inner turmoil, and budding romance reminiscent of the legend of Persephone and Hades. Amber’s story sweeps across national borders and realms as the God of War and his sacrificial bride fight to end the mortal war.

Fragile Chaos is a “…great book for anybody who loves the myth of Cupid and Psyche…I loved the…mashup of modernity with the mythological,” Abby Reed explains, author of When Planets Fall.

About Amber R. Duell

Amber R. Duell was born and raised in a small town in Central New York. While it will always be home, she’s spent the last six years living in Germany and Maine as a military wife where the next step is always an adventure.

For more information, visit www.amberrduell.com.

About Radiant Crown Publishing

Radiant Crown Publishing was founded in 2016 to showcase quality fiction, diverse stories, and unexpected protagonists. Antiheroes and characters whose stories are pushed to the margins are welcome here.

For more information, visit www.radiantcrownpublishing.com.

Fragile Chaos: Bradley Pittman and Jamie-Lee Lewis

Meet the audiobook producers behind Amber R. Duell‘s Fragile Chaos!

“Jamie-Lee Lewis, aka Jaylew, hails from the island of Jamaica. Since a small child, she’s always had a hyper imagination. She enjoys writing and telling stories, singing and composing songs, entertaining and edifying, playing different characters as well as creating them through drawings, and finding the beauty and fun in everything she does. She is currently a professional and passionate Youtuber.”

 

 

 

 

 

 

“Bradley Pittman is a producer and freelance musician living and working in Atlanta. He received a bachelor’s degree in audio production from Georgia State University in 2016. Though he most commonly works on musical projects, he began self-producing audiobook chapters in 2015 as a way to unite his love of studio production with his love of literature. “

Cover Reveal: Object Relations by Rebecca Lee

 

Trade Paperback

ISBN-10: 1-946024-06-6
ISBN-13: 978-1-946024-06-0

eBook (ePub Edition)

ISBN-10: 1-946024-07-4
ISBN-13: 978-1-946024-07-7

ASIN: B0716RHFHS

AppleID: 1253619936

BN ID: 2940157338435

Release Date: May 9th, 2017 (May/June of 2017)

Synopsis:

Object Relations Theory: A form of psychoanalytic theory postulating that people relate to others in order to develop themselves.

Through long divisions of interpretation, words sectioned into sentences. Uncomfortable, they bunched together, worried their independence lost. Together, all the words decided they should be bound in unison forever. Their books stain the beliefs that we continue to hold.

Rebecca Lee’s collection of vignettes demonstrates the various imaginary relationships of personified objects. From doorknobs to smartphones, everyday encounters come alive.

Spotlight: A. M. Deese

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Introducing A. M. Deese who has recently signed her young adult fantasy novels Ignited, slated for release in 2018, and Submerged, slated for release in 2019, with Radiant Crown Publishing. Desiree DeOrto Designs will handle cover design. Editing, map-making, and more will soon be underway. For now, get to know A. M. Deese as an author and the world of the Dance of the Elements series.


Synopsis:

A NOBLE DAUGHTER.

A FORMER SLAVE.

DARK MAGIC AND VOLATILE ALLIANCES COLLIDE IN A WORLD ON THE BRINK OF COLLAPSE.

“Jura imagined it sounded like rain.”

Juggling death is nothing new for seventeen-year-old Jura, daughter of the First of the Thirteen, successive rulers of the Republic of the Sand Sea. However, when a blood chain ensnares her father, she is thrust into the seat of power and forced to rule her elders.

To Tylak, water had never tasted sweeter.”

Jura must track down her father’s assassin and balance a country on the verge of collapse. To find the Prince of Shadows and uncover the truth, Jura puts her trust in Tylak, a former slave accused of stealing from the Everflame—a man she once condemned to death.

In a world where water is currency and enemies lurk around every corner, Jura will use her wits or risk igniting a world war.


1. First, tell us a little about yourself. When did you want to become an author? What inspires you to do what you do? Who are you?

I’ve never wanted to be anything else. My aunt (who is only 8 months older than me) learned to read before I did and I remember being insanely jealous of the skill. I wrote my first story when I was around four or five years old. It was about dinosaurs. I’m pretty sure my grandmother has that yellow legal pad floating around somewhere.

2. What are some quirky and or unique aspects about you and your writing?

Well, when I get consumed by a scene it’s hard to think of anything else, I must write the scene down immediately! However, I don’t plot out my stories, I prefer to let the characters tell me what to say. Unfortunately, I’ve found that the characters don’t always know what’s best for the plot. Whenever I find myself stuck in a scene I go outside and pace around my deck, usually while on the phone with my (oh so patient) sister. I’m trying to get better at outlining but I fear it will always be a struggle for me.

3. RCP “was founded in 2016 to showcase quality fiction, diverse stories, and unexpected protagonists.” What does that mean to you?

I think in today’s world it is increasingly important to share diversity in fiction. We’re so fortunate to live in a world that can share information faster than it takes to whisper Google. I think readers are ready to meet unique characters who are a departure from the genre stereotypes. I find it easier to connect with protagonists with realistic flaws; no character is purely good or heroic and no character is purely evil. Ignited has several different points of view and readers discover its world through the eyes of characters from varying characters each with their own unique outlook on the plot.

4. What do you think makes a great young adult title? How do you think the first two books in your four book series Ignited and Submerged fit into or vary from that description?

If there is a formula for what makes a great young adult title I’d like to know it! I suppose what makes a title great is in its ability to clearly and quickly excite the reader and hint toward the book’s plot. I hope Ignited and Submerged give the reader a sense of action and excitement as well as give hints toward its plot.

5. How has writing affected your outlook on things? Has it made you take chances or see things in a different light?

Writing has given me a wider perspective, I tend to look at things from different points of view because I love diving into the minds of two differing characters. I also think it has affected me in the sense that everything is a story to me. I see or hear something and my natural reaction is what if

6. What are you most excited to share when it comes to Ignited and Submerged? Ex). The world, the characters, a specific scene?

I’m probably most excited to share my world. As a child, a favorite game of mine was “pretend.” Pretend I’m a unicorn, or pretend the ground is lava, pretend I’m a wizard… I suppose I never grew up in that way, I enjoy the process of creating a unique new world and sharing that vision with others. I hope the world of Ignited is a new experience for my readers. I want them to be intrigued by the mysteries of the world and lose themselves in its exploration. Although, I do also have a soft spot for a few of my characters, Kay already has a spin-off series dancing in my head.

7. Finally, do you have any advice and or tips for aspiring writers out there, especially women?

Don’t listen. Don’t listen when someone tells you you’re not good enough or when you receive a rotten rejection letter. Don’t listen to the inner guilt at the hours you spend writing (when you could be a better daughter, wife, mother, etc) Don’t. Listen. And never give up.

Fragile Chaos: The Realm of the Gods and Goddesses by Amber R. Duell

Gods of Old

Long before the world came into existence, there lived three Old Gods. But, as they began to fade, they regretted never having created anything worthwhile and feared being forgotten. With the last of themselves, they created a pantheon of six siblings that would do what they never had:

Ebris to guide the siblings.
Drea to create a world teaming with life.
Brisa to rule the unpredictable seas.
Leander to help souls find their place in the afterlife.
Astra to aid in matters of the heart.
Theodric to steer the living through their conflicts.

Ostran War

For thousands of years, the mortals worshiped their gods and goddesses, but with each generation, fewer believed in their existence. Ebris, like his creators, feared being forgotten, and pushed his siblings to do more for their worshipers. Drea, Brisa, Leander, Astra, and Theodric went along with their brother’s requests out of respect for him, but everything changed when Ebris ordered the continuation of the Ostran War.

Theodric began the conflict to reward the Ostran Emperor by extending his territory, but with every victory meant to end the war, Ebris forced Theodric to press forward until the entire east was embroiled in the bloody conflict. It wasn’t until the mortals assumed the war was a sign the gods had abandoned them that Ebris ordered its end.

Ebris ripped Theodric’s power away, calling him reckless and impulsive. None of the siblings dared stop Ebris for fear he would turn on them next. But, while no one crossed Ebris, the ordeal ruined their trust of one another. The gods and goddesses began to work as separate entities instead of one, and it wasn’t long until the disconnect caused mortals to turn away from their creators completely.

The 2017 Kármán Liminality (100km) Chapbook Prize Winner

The 2017 Kármán Liminality (100km) Chapbook Prize winner is Larissa Douglass! Her chapbook, Dark Palace and Other Poems in Tarnished Mirrors, will debut next year. Stay tuned for more updates.


BIO: Larissa Douglass’ debut collection Ink of the Palimpsest will be published soon. While studying history at the University of Oxford, Ms. Douglass has published several poems and pieces of short fiction, including “Blind Silvester,” anthologized in Cyberwit’s 2017 volume, The New English Verse.

Gods and Goddesses: Theodric 

Realm of Theodric, God of War

A dirt path led away from the circular stone temple at the edge of Theodric’s realm, winding through a grassy field, and up a hill. A gray stone mansion at the top was surrounded by a circular wall. Passing under the entryway, the packed dirt gave way to fine black gravel that circled the interior courtyard. Turrets capped the corners of the twenty-eight room mansion.

Most of the rooms were covered in dust, and used for storage. Two bedrooms and a bathroom were used on the second floor by Theodric and his advisor, but the war room was occupied most frequently. High windows covered the back wall with seats beneath each. On either side of the doors hung an array of weapons—swords, guns, throwing knives—and, to the right, maps were tacked from the ceiling down. Books and scrolls lined shelves. The war table stood useless in the middle of the room. Theodric moved the colored glass pieces across the black base out of habit now instead of necessity.

Even in times of peace, Theodric was preparing for the moment that harmony shattered, but without his full power, he was no longer able to see things like he needed to. Hundreds of spies were scattered across the world to keep him updated. Three hundred male sacrifices were left living inside the outer wall. A sacrificial bride had never made it out of the main chamber of the temple.

Behind the mansion stretched a wide forest. Animals were no longer present, but a small brook laced through trees. Upstream, a waterfall spilled over the edge of rocky cliffs, filling a pool and feeding the brook. A mountain range began at the edge of the tree line, and didn’t stop until it reached the Between—a dark abyss holding the six god and goddess realms together. The threat of being banished into the nothingness was usually more than enough for Ebris to keep everyone in line.