The She-Wolf of Kanta: Thomas Farrell’s Mill by Marlena Frank

Thomas Farrell’s Mill

When Thomas Farrell inherited his father’s mill, there was only a single grinder, and it was human powered. The hard physical labor meant a high turnover rate, and the mill was anything but profitable.

After the invention of Liquid Lead, and the harnessing of werewolves to do the hard labor, Thomas not only gained a profit on his mill, he expanded it. He added grinder after grinder, in a haphazard fashion, gleefully improving on the equipment and finding ways to streamline his workforce.

Only something happened shortly after he built the sixth grinder. Some say Thomas had a mental breakdown after witnessing one of his human workers be mauled. Others said he fell from the scaffolding that crisscrossed the grinders. Regardless, shortly after the grinder was finished, all talks of expansion abruptly stopped.

The Mill is now a well-known feature of Kanta, with its tall smokestacks and regular influx of trappers for supplies and trade. Behind it’s castle-like walls and guarded entrances, grinders churn all day and all night.

 

The She-Wolf of Kanta: The City of Kanta by Marlena Frank

The History of Kanta

Kanta used to be a small city with big hopes and dreams. The people pushed back the wilderness and claimed the land for their own, creating a haven amid the old forest.

Then the werewolves came. They surged each night, and diminished the population in droves, adding survivors unwillingly to their numbers. The streets were stained with blood. Cries could be heard all through the night. Finally, only three buildings remained: the jailhouse, the pub, and the mill. When the city was on the brink of destruction, a madman had a crazy idea.

Thomas Farrell found a way to harness the werewolves’ power. With a concoction he called Liquid Lead, he helped the city of Kanta truly fight back. More than that, he turned werewolf trapping into a profit.

The city is now a destination for survivors, but also attracts scavengers and thieves. The desperate suffer in Kanta and the naïve often meet grisly ends. The werewolves are a blight, but the city of Kanta is truly diseased.

Spotlight: Marlena Frank

Introducing Marlena Frank who has recently signed her young adult dark fantasy filled with werewolves and horrifying thrills entitled The She-Wolf of Kanta with RCP. It is slated for release in April of 2018 under the imprint Legion. Rebecca Treadway will handle cover design. Editing, map-making, and more will soon be underway. For now, get to know Marlena Frank as an author.

 

 

 

 


Synopsis:

The Huntress Becomes the Hunted

Mercy has always dreamed of becoming a werewolf trapper like her father. In Kanta, one must learn how to survive one way or another. A dark-skinned, blue-eyed young beauty, Mercy understands that she brings out the beast in monsters and men. When a routine werewolf delivery turns into a vicious assault from a pair of human traffickers, Mercy’s life changes forever. Somehow she must endure in a dangerous city where women and werewolves are hunted.


1. First, tell us a little about yourself. When did you want to become an author? What inspires you to do what you do? Who are you?

I’ve always enjoyed telling stories. When I was very young I started writing them, and that turned into fanfiction that I did for fun. College came and I turned away from writing for almost a decade, until I rediscovered it again in 2010. I wrote a fantasy story on a whim and got it published. That’s when I knew I was hooked.

Outside of writing, I’m very active in the Atlanta cosplay community. I got involved two years back, met some great friends, and have been a regular con-goer ever since. I mostly cosplay anime characters that I love or admire. Our group has even started making CMVs (cosplay music videos), usually with a dark flair. At my day job, I work in IT, but that’s not as much fun to talk about.

2. What are some quirky and or unique aspects about you and your writing?

I’ve always been drawn to monsters. My mom used to put on horror movies while my two sisters and I got ready in the morning, so I was exposed to a variety of horror. Sometimes it was dark and gruesome, sometimes cheesy and funny, but always entertaining. I’ve been drawn to werewolves since as long as I can remember, and they seep into my work often.

Regarding myself, my house is decorated in all sorts of fantasy and horror memorabilia. Some guests get nervous when they see the mantelpiece covered with human skull replicas, or come across my sister’s animal skull collection. Our living room has classic horror movie posters like The Raven and Army of Darkness staring down on the guests, and Han Solo adorns the space above the most comfortable chair. Most of our friends have just grown used to it, but some guests are put off by how much fandom merchandise we collect, including Batman, Disney, Star Wars, Lord of the Rings, and various anime that we enjoy.

3. RCP “was founded in 2016 to showcase quality fiction, diverse stories, and unexpected protagonists.” What does that mean to you?

To me, this means shining a light on voices that might not normally get the attention they deserve, whether it be due to race, gender, or socioeconomic level. In my story, there are plenty of male characters who could have taken the spotlight. They all have legitimate story arcs that I could have chosen to explore, but I went with Mercy instead. She was someone who might be easily overlooked in a typical fantasy book, but I felt she had a powerful story to tell of her own. She has the odds stacked against her from birth and she has to work hard to claw out a piece of existence for herself. To me, I think that’s both powerful and inspiring.

4.What do you think makes a great young adult dark fantasy story? How do you think your piece The She-Wolf of Kanta fits into or varies from that description?

A good YA dark fantasy story requires two major aspects: the coming-of-age of a teenager and an inexplicably dark world that the poor teen is stuck in. Coming-of-age is thrown around often when talking about YA, but I think a main theme is transformation. What this really means is the way the teen must learn to grow up, whether that be due to a relationship, violence, abuse, or something simple like moving across the country. The dark world is fairly self-explanatory, but what it typically means is a world that nobody would actually want to live in until the hero changes it for the better (if they can).

In The She-Wolf of Kanta, Mercy is thrown into an unforgiving world where people are regularly hunted by werewolves. She’s doubly unlucky by being female since women seem to be targeted more by werewolves. On top of that, her father even wishes that she was a boy instead, and considers her sex a curse. As the story progresses, she encounters more and more dangers that she must somehow survive. This fits in well with the concept of a YA dark fantasy. I chose not to include a romantic subplot, which are common in YA novels, because Mercy is too concerned with trying to survive.

5. How has writing affected your outlook on things? Has it made you take chances or see things in a different light?

When I went to college, I never thought that I would ever write seriously again outside of the occasional fanfiction. I considered my love of it a lost part of my life. When I submitted my first short story on a whim back in 2010 and it actually got published, I thought maybe I’d give it another chance. That was when the floodgates opened, and suddenly I was writing like mad.

In college, I worked on my Computer Science degree, which engulfed me for a good seven years. When I finally emerged, I had forgotten what it was like to read for fun. Since I started writing regularly, I finally gained the motivation to attend writing conventions, be part of writer groups, and in the past few years have started seeing myself as an author. It took some time to realize that and adopt it as part of my identity. Allowing myself to write again helped rekindle my love of it and allowed me to enjoy it even more after such a long hiatus.

6. What are you most excited to share when it comes to The She-Wolf of Kanta? Ex). The world, the characters, a specific scene?

I’m most excited about an aspect that will probably be the most controversial. The enslavement of the werewolves within Thomas’ mill is painful to read about, but it’s also revealing of the nature of the town and its lack of humanity. Werewolves by definition can’t choose how they lose their humanity; however, others can. Werewolves are still, essentially, people. Yet, Thomas and others forget this because they no longer recognize them as humans. This cycle happens often in history: it’s easier to justify torture and enslavement when people are seen as animals.

7. Finally, do you have any advice and or tips for aspiring writers out there, especially women?

It’s easy to excuse writing as a non-essential part of life and put other things ahead of it. I often hear other women say that they simply cannot find the time, which, though understandable, also means that it’s not a priority in their life. Carve out whatever time you can to write, even if it’s only thirty minutes each day. Don’t listen to people who try to convince you that it’s a waste of time. Only you are capable of telling your story, and there’s no way to tell how well it will be received if you never write it.

Cover Reveal: Old Hollow by Ambrose Stolliker

Audiobook

ISBN-10: 1-946024-19-8
ISBN-13: 978-1-946024-19-0

eBook (ePub Edition)

ISBN-10: 1-946024-18-X
ISBN-13: 978-1-946024-18-3

ASIN: Coming Soon!

Release Date: February 27th, 2018 (February/April of 2018)

Synopsis:

Spring, 1865. The Southern armies are close to defeat. Union Cavalry Commander Philip Sheridan has loosed his scouts into the Virginia countryside in search of an opportunity to intercept and destroy Gen. Robert E. Lee’s Rebel army and bring the war to an end.

One such scout is Captain Benjamin Lawson, a man haunted by the burden of command and the scenes of senseless slaughter he has endured at places like Antietam and Gettysburg. His sole desire is to see his men survive the final days of the terrible conflict that has engulfed the country for five bloody years. On a dark, rainy night, Lawson’s party of scouts stumbles into a large group of Rebel cavalry. All Hell breaks loose. Two of his men are killed outright, and Lawson, Sergeant Jordy Lightfoot and Corporal Emil Boyd barely manage to escape into a thick forest.

There, Lawson discovers that the young corporal has been gravely wounded. Determined not to lose yet another man under his command, Lawson heads for a small, out-of-the-way town called Old Hollow in the hopes of finding a doctor who can help the dying boy. What he finds instead is far more terrifying than anything he has witnessed on the battlefield. Soon, he and his men are in a fight for their lives against a twisted preacher who has struck a diabolical covenant with an ancient, unspeakable evil.

Cover Reveal: Object Relations by Rebecca Lee

 

Trade Paperback

ISBN-10: 1-946024-06-6
ISBN-13: 978-1-946024-06-0

eBook (ePub Edition)

ISBN-10: 1-946024-07-4
ISBN-13: 978-1-946024-07-7

ASIN: B0716RHFHS

AppleID: 1253619936

BN ID: 2940157338435

Release Date: May 9th, 2017 (May/June of 2017)

Synopsis:

Object Relations Theory: A form of psychoanalytic theory postulating that people relate to others in order to develop themselves.

Through long divisions of interpretation, words sectioned into sentences. Uncomfortable, they bunched together, worried their independence lost. Together, all the words decided they should be bound in unison forever. Their books stain the beliefs that we continue to hold.

Rebecca Lee’s collection of vignettes demonstrates the various imaginary relationships of personified objects. From doorknobs to smartphones, everyday encounters come alive.

Spotlight: A. M. Deese

IMG_7452

Introducing A. M. Deese who has recently signed her young adult fantasy novels Ignited, slated for release in 2018, and Submerged, slated for release in 2019, with Radiant Crown Publishing. Desiree DeOrto Designs will handle cover design. Editing, map-making, and more will soon be underway. For now, get to know A. M. Deese as an author and the world of the Dance of the Elements series.


Synopsis:

A NOBLE DAUGHTER.

A FORMER SLAVE.

DARK MAGIC AND VOLATILE ALLIANCES COLLIDE IN A WORLD ON THE BRINK OF COLLAPSE.

“Jura imagined it sounded like rain.”

Juggling death is nothing new for seventeen-year-old Jura, daughter of the First of the Thirteen, successive rulers of the Republic of the Sand Sea. However, when a blood chain ensnares her father, she is thrust into the seat of power and forced to rule her elders.

To Tylak, water had never tasted sweeter.”

Jura must track down her father’s assassin and balance a country on the verge of collapse. To find the Prince of Shadows and uncover the truth, Jura puts her trust in Tylak, a former slave accused of stealing from the Everflame—a man she once condemned to death.

In a world where water is currency and enemies lurk around every corner, Jura will use her wits or risk igniting a world war.


1. First, tell us a little about yourself. When did you want to become an author? What inspires you to do what you do? Who are you?

I’ve never wanted to be anything else. My aunt (who is only 8 months older than me) learned to read before I did and I remember being insanely jealous of the skill. I wrote my first story when I was around four or five years old. It was about dinosaurs. I’m pretty sure my grandmother has that yellow legal pad floating around somewhere.

2. What are some quirky and or unique aspects about you and your writing?

Well, when I get consumed by a scene it’s hard to think of anything else, I must write the scene down immediately! However, I don’t plot out my stories, I prefer to let the characters tell me what to say. Unfortunately, I’ve found that the characters don’t always know what’s best for the plot. Whenever I find myself stuck in a scene I go outside and pace around my deck, usually while on the phone with my (oh so patient) sister. I’m trying to get better at outlining but I fear it will always be a struggle for me.

3. RCP “was founded in 2016 to showcase quality fiction, diverse stories, and unexpected protagonists.” What does that mean to you?

I think in today’s world it is increasingly important to share diversity in fiction. We’re so fortunate to live in a world that can share information faster than it takes to whisper Google. I think readers are ready to meet unique characters who are a departure from the genre stereotypes. I find it easier to connect with protagonists with realistic flaws; no character is purely good or heroic and no character is purely evil. Ignited has several different points of view and readers discover its world through the eyes of characters from varying characters each with their own unique outlook on the plot.

4. What do you think makes a great young adult title? How do you think the first two books in your four book series Ignited and Submerged fit into or vary from that description?

If there is a formula for what makes a great young adult title I’d like to know it! I suppose what makes a title great is in its ability to clearly and quickly excite the reader and hint toward the book’s plot. I hope Ignited and Submerged give the reader a sense of action and excitement as well as give hints toward its plot.

5. How has writing affected your outlook on things? Has it made you take chances or see things in a different light?

Writing has given me a wider perspective, I tend to look at things from different points of view because I love diving into the minds of two differing characters. I also think it has affected me in the sense that everything is a story to me. I see or hear something and my natural reaction is what if

6. What are you most excited to share when it comes to Ignited and Submerged? Ex). The world, the characters, a specific scene?

I’m probably most excited to share my world. As a child, a favorite game of mine was “pretend.” Pretend I’m a unicorn, or pretend the ground is lava, pretend I’m a wizard… I suppose I never grew up in that way, I enjoy the process of creating a unique new world and sharing that vision with others. I hope the world of Ignited is a new experience for my readers. I want them to be intrigued by the mysteries of the world and lose themselves in its exploration. Although, I do also have a soft spot for a few of my characters, Kay already has a spin-off series dancing in my head.

7. Finally, do you have any advice and or tips for aspiring writers out there, especially women?

Don’t listen. Don’t listen when someone tells you you’re not good enough or when you receive a rotten rejection letter. Don’t listen to the inner guilt at the hours you spend writing (when you could be a better daughter, wife, mother, etc) Don’t. Listen. And never give up.

Spotlight: Ambrose Stolliker

IMG_9916

Introducing Ambrose Stolliker. He will be the first author in our eBook and audiobook imprint Legion next year. Abbie Waters has just completed the first round of proofreading and more edits are coming soon. Till then, get to know the author behind this Civil War themed horror story!


Synopsis:

Spring, 1865. The Southern armies are close to defeat. Union Cavalry Commander Philip Sheridan has loosed his scouts into the Virginia countryside in search of an opportunity to intercept and destroy Gen. Robert E. Lee’s Rebel army and bring the war to an end.

One such scout is Captain Benjamin Lawson, a man haunted by the burden of command and the scenes of senseless slaughter he has endured at places like Antietam and Gettysburg. His sole desire is to see his men survive the final days of the terrible conflict that has engulfed the country for five bloody years.

The fortunes of war, however, have another fate in store for Lawson and his men, Sergeant Jordy Lightfoot and Corporal Emil Boyd. On a dark, rainy night, Lawson’s party of scouts stumbles into a large group of Rebel cavalry. All Hell breaks loose. Two of his men are killed outright, and Lawson, Lightfoot and Boyd barely manage to escape into a thick forest.

There, Lawson discovers that the young corporal has been gravely wounded. Determined not to lose yet another man under his command, Lawson heads for a small, out-of-the-way town called Old Hollow in the hopes of finding a doctor who can help the dying boy. What he finds instead is far more terrifying than anything he has witnessed on the battlefield. Soon, he and his men are in a fight for their lives against a twisted preacher who has struck a diabolical covenant with an ancient, unspeakable evil.


1. First, tell us a little about yourself. When did you want to become an author? What inspires you to do what you do? Who are you?

I think I’ve wanted to be a storyteller from a very early age. Like many people in their early to mid-forties, my love of storytelling was born on a warm, summer day in 1977 when my mother took me and my older sister to a movie theater to see Star Wars. The movie and the story made an indelible impression on me. The story and mythology of Star Wars were presented on such a grand scale, how could it have not made an impression on me? From then on, I loved listening to and telling stories. Not long after, I developed a deep love of reading, especially fantasy, science fiction and horror. I wrote my first book, an unfinished fantasy novel, at the age of nine, and have been pretty much writing nonstop since then, either as a newspaper and magazine journalist or as a fiction writer.

2. What are some quirky and or unique aspects about you and your writing?

I spent twelve years banging out 12-inch to 20-inch news stories in noisy newsrooms at daily and weekly newspapers. You’d think I’d be able to work in just about any environment and still write and write well, but when it comes to fiction, I can’t. I need silence. Some writers can listen to heavy metal while they write, but not me. I’ve got to have quiet, which isn’t always possible when you’ve got a rambunctious four-year-old boy in your house. Luckily, I have a nice, quiet office where I can close the door and focus on the work.

3.RCP “was founded in 2016 to showcase quality fiction, diverse stories, and unexpected protagonists.” What does that mean to you?

Hopefully, it means we’ll see more stories featuring characters and themes that are outside the normal clichés we see in so much writing today. The best stories always feature characters that do the exact opposite of what’s expected, or what society as a whole perceives as the norm. I think great writing challenges our preconceived notions about the world we live in and the lives we lead.

4. What do you think makes a great horror story? How do you think your piece Old Hollow fits into or varies from that description?

I’d characterize Old Hollow as a classic horror story set during the Civil War. I think any horror story worth reading has to do two primary things – gradually build a feeling of suspense or dread and tell a story wherein the reader becomes invested in the fate of the main characters. Almost as important, I think, is setting. It just so happens that I am a Civil War buff and have spent a great deal of time reading about and researching the conflict that defined so much of who we are as Americans today.  Being well versed in that particular time period makes it easy (and enjoyable) for me to create evocative settings for the reader. Old Hollow is not the first Civil War story I’ve written, and I’m pretty sure it won’t be the last.

5. How has writing affected your outlook on things? Has it made you take chances or see things in a different light?

Well, every time a writer puts pen to paper, asks someone to read something they’ve written or submits a story for publication, they’re taking a chance at being rejected. In one sense, I think my career as a journalist helped me develop a pretty thick skin where my writing was concerned. It just became part of my everyday life to receive and absorb criticism of the material I’d turned into my editors. For the most part, I knew their criticisms always came from a good place – either a desire to make the story better for the reader, or to make me a better writer, or, under the best of circumstances, both. So, when I started writing fiction and submitting it for publication, it never really fazed me when the rejections started rolling in. Like most writers, I had moments of self-doubt that I would ever get published, but I never really considered giving up. Now, my ambition is to be able to write horror fiction full time, and I’m not there yet. Sometimes, I worry I’ll never get there. But that doesn’t stop me from writing.

6. What are you most excited to share when it comes to Old Hollow? Ex). The world, the characters, a specific scene?

The characters, first and foremost. Writing about Benjamin Lawson, Jordy Lightfoot, Emil Boyd, Nan Forrester and Preacher John was a lot of fun. Each one brings something different and important to the story. Lawson and Jordy are probably my two favorite characters in Old Hollow because they’re both so very different from one another. At the same time, they complement one another in critical ways, and function well together as they try to navigate and survive the war and the situation in which they find themselves in Old Hollow. I love the dialogue between the characters too, especially Jordy’s dialogue. His voice and patois were really fun to write. Finally, I love the themes that emerged as I wrote and revised the story over three separate drafts – the danger and inherent hypocrisy of religious fanaticism and fundamentalism; the sense of brotherhood and comradery that is developed between soldiers during times of war; the notion that one’s word and personal honor stand for something, even (and perhaps especially) when given to someone we might consider an enemy; and the importance of protecting those who cannot protect themselves.

7. Finally, do you have any advice and or tips for aspiring writers out there?

Easy. Write as often as you can, and read as much as you can. I try to write at least 1,000 words a day, five days per week. I don’t always accomplish that, but that’s my goal. I don’t think one can become adept at anything if one isn’t willing to practice and put in the time necessary to develop one’s craft. Also, I’ve learned over the years, both as a journalist and a fiction writer, that the real work begins with the second draft. First drafts are easy. First drafts are fun. You’re basically just vomiting the words, story and characters onto the page, and not thinking too much about plot, or how good the writing is – at least that’s how I approach first drafts. But revision? Revision is hard. And essential. Finally, you’re going to face a lot of rejection and criticism. I started writing seriously in my early thirties. I sold my first story when I was 36 or 37. It took about seven or eight years to make that first sale. Then I had to wait another year or so for the second. I’m 43 now, and STILL not writing full-time, so that should give aspiring writers an idea of what it takes to make it in this business. I consider myself marginally successful in having secured a dozen or so publishing credits that netted me any kind of money. It’s a long haul. It’s natural and even healthy to get discouraged once in a while, but the one thing a serious writer can absolutely not do is to stop writing. So, don’t.

Cover Reveal: Fragile Chaos by Amber R. Duell

Hardcover

ISBN-10: 1-946024-24-4

ISBN-13: 978-1-946024-24-4

Trade Paperback 

ISBN-10: 1-946024-00-7

ISBN-13: 978-1-946024-00-8

eBook (ePub Edition)

ISBN-10: 1-946024-01-5

ISBN-13: 978-1-946024-01-5

Audiobook Edition

ISBN-10: 1-946024-25-2

ISBN-13: 978-1-946024-25-1

ASIN: B071CYFGJV

AppleID: 1253613072

BN ID: 2940157306519

Release Date: July/August 2017 (July 11th, 2017)

Synopsis:

A GOD OF WAR SEEKING RESTORATION.

AN UNWILLING SACRIFICIAL BRIDE.

BETRAYAL THAT COULD DESTROY THEM BOTH.

“[E]very fiber of my being is woven from the rage of mortals.”

Theodric, the young God of War, has a talent for inciting conflict and bloodshed. After being stripped of his powers by his older brother, King of Gods, he sets out to instigate a mortal war to prove himself worthy of being restored to power.

“I loved Kisk once; it was my home… But that was before. This is now.”

Sixteen-year-old Cassia, like many in the modern era, believe gods and goddesses to be just a myth. Enemy to her country and an orphan of the war, she has no time for fairy tales. That’s until religious zealots from Theo’s sect offer her up as a sacrifice.

Can Cassia and Theo end the mortal war and return balance to the earth and heavens? Or, will their game of fate lead down a path of destruction, betrayal, and romance neither of them saw coming?

Advance Praise:

“[A] great book for anybody who loves the myth of Cupid and Psyche…I loved the…mashup of modernity with the mythological” – Abby Reed, Author of When Planets Fall (Soul Mate Publishing)

“Loved Theo’s complex character… Cassia was a really brave and sassy character who always had her head firmly on her shoulders…” – Kariny, kariny’s book frenzy

“…[T]his book was absolutely amazing…!” – Words I Write Crazy

“Amazing, thrilling and unique…” – Booklove

“This mash up of modern times and mythology combines elements of Beauty & the Beast and Hades & Persephone to create a totally original retelling” – Kati, To Be Read

“If you love…myths and retellings than this mash-up is one you shouldn’t miss… Action, Adventure, Fate and D[e]struction are all tied up in this wonderous novel that I just couldn[‘t] put down!” – Crossroad Reviews

“A story full of romance, betrayal, and chaos is sure to attract those teens that enjoyed Percy Jackson but are ready for something more mature” – Jenny, Goodreads Reviewer

“The slow smoldering romance that Theo and Cassia can’t deny greatly pushes each page with anticipation” – Twinning for Books

“Filled with folklore, violence, epic battles, and tons of drama, Fragile Chaos is a gripping thrill ride” – Jordan, YA Book Madness

Fragile Chaos is a great story of the follies of pride, the consequences of abusing power, and the power of love to heal all wounds” – Liza, Quite the Novel Idea

“If you love a good young adult romance, mythology, and a story with high stakes then you definitely need to read Fragile Chaos by Amber R. Duell” – Olivia Chanel, Galaxy of Books

“This author[‘]s first novel is an extreme display of promise” – Rachel, Rachel’s Book Reviews

Spotlight: Rebecca Lee

Introducing Rebecca Lee who will be releasing a limited print run of her novelette Object Relations with RCP!  Here’s your chance to get to know Rebecca before it comes out.


Synopsis:

Object Relations Theory: A form of psychoanalytic theory postulating that people relate to others in order to develop themselves.

Through long divisions of interpretation, words sectioned into sentences. Uncomfortable, they bunched together, worried their independence was lost.Together, all the words decided they should be bound in unison forever. Their books stained the beliefs that we continue to hold.

1. First, tell us a little about yourself. When did you want to become an author? What inspires you to do what you do? Who are you?

I have always wanted to be a writer. Ever since I could pick up a pen, I’ve been glued to various notebooks. I love the sensation of hiding my words behind paper. It feels like I’m telling a secret to myself.

2. What are some quirky and or unique aspects about you and your writing?

I like to believe that everything has a perspective. If two people can look at the same thing and come up with several different stories, that means it exists and is therefore writing-worthy.

3.RCP “was founded in 2016 to showcase quality fiction, diverse stories, and unexpected protagonists.” What does that mean to you?

I think the word ‘ordinary’ is really fascinating. Even a word that is supposed to mean common, has a million different definitions depending on who you are talking to. With every object that is fictionalized in my book, I try to show a side that may not have been previously thought about. That way ‘normal’ can have several representations.

4. What made you start a blog? Has it influenced your writing in general? How did Object Relations come about?

I’ve been writing in a blog since I was 14. At first it influenced my writing because I wrote for friends. Descriptions I would have poured out in my journal, transformed into stories that I thought friends might find amusing. Object Relations came about early on. When I was a child I would write about object’s personified. I guess I always hung onto it because I could shape something that wasn’t real into anything I wanted.

5. How has writing affected your outlook on things? Has it made you take chances or see things in a different light?

That’s a very difficult question to answer. I’ve been writing almost my whole life, so I can’t imagine what I (or my life) would be like without it. I’d like to say it’s made me take chances and risks I might not have otherwise taken, but I have no idea. It’s my brain. For better or worse, it’s always a part of me.

6. What are you most excited to share when it comes to Object Relations? Ex). A particular vignette or object?

There are many sides to the same coin. (Bad pun I know)

7. Finally, do you have any advice and or tips for aspiring writers out there, especially women?

Write every day. Whether you’re a woman or a man, dedication and discipline are a lasting marriage.